The IFF is delighted to be part of the major traveling exhibition PLASTIC ENTANGLEMENTS: Ecology, Aesthetics, Materials.
Plastic Entanglements is curated by Joyce Robinson, Jennifer Wagner-Lawlor, and Heather Davis.
Exhibition Venues and Dates:
- Palmer Art Museum, University of Pennsylvania: February 13–June 17th, 2018
- Jordan Schnitzer Museum of Art, University of Oregon: September 22–December 30, 2018
- Smith College Museum of Art: February 8–July 28, 2019
- Chazen Museum of Art, University of Wisconsin-Madison: September 13, 2019–January 5, 2020
Plastic Fantastic 1 by Margaret Wertheim and the Institute For Figuring
About the Exhibition
The story of plastic is as complex as the polymer chains that make up its unique material properties. Plastic Entanglements brings together sixty works by thirty contemporary artists to explore the environmental, aesthetic, and technological entanglements of our ongoing love affair with this paradoxical, infinitely malleable substance. Both miraculous and malignant, ephemeral yet relentlessly present, plastic infiltrates our global networks, our planet, and even our bodies. Organized by the Palmer Museum of Art, this major exhibition features work by an international roster of emerging and mid-career artists, including Mark Dion, Pamela Longobardi, Marina Zurkow, Zanele Muholi, Vik Muniz, Jessica Stockholder, Chris Jordan, Aurora Robson, Pinar Yoldas, the Institute For Figuring, andMargaret and Christine Wertheim.
Plastic Entanglements unfolds in three sections, charting a timeline—past, present, and future—of our ongoing engagement with this ubiquitous manmade material. The Archive examines the ways in which plastic objects make up an inadvertent record of daily life from the mid-twentieth century onwards. The Entangled Present reveals the ways in which plastic binds people, plants, and animals together across diverse geographical locations and through global systems. The exhibition concludes with a section dedicated to Speculative Futures, asking what unknown worlds are emerging from the omnipresence of plastic, including new geologic and biologic forms.
At right, Plastic Fantastic 1 & 2 (by Margaret Wertheim and the Institute For Figuring), Chthulence 1 & 2 by Christine Wertheim. Installed at the Palmer Museum of Art, 2018.
IFF works in the show include two newly created vitrines of plastic crochet sea-forms.
IFF co-director Christine Wertheim also has two stunning works constructed from discarded computer and electrical cables.
This exhibition was made possible by funds from the Donald W. Hamer Endowment for Art Acquisitions and Exhibitions. Major support was provided by The Arboretum at Penn State, College of Arts and Architecture, Materials Research Institute, Sustainability Institute, University Libraries, George Dewey and Mary J. Krumrine Endowment, and the Pennsylvania Council on the Arts.
Plastic Entanglements exhibition at the Palmer Museum of Art.
Chthulucene 1 and Chthulucene 2 by Christine Wertheim. (Discarded electrical and computer cables and found plastic debris, crocheted together with vinyl JellyYarn. H 45".)