The IFF has news from the Deutsches Museum in Munich, the world’s largest science and technology museum, famed for its enormous collection of machines. One of our crochet Satellite Reefs was featured in their ground-breaking showWelcome to the Anthropocene, hailed as “the first major exhibition” on this subject. A post-exhibit survey has revealed that the Reef was “the second-most liked” object in the show, and in a welcome break from tradition drew a wide female audience into a venerable institution whose audience is overwhelmingly male. The Reef – picture above – is an outcropping of the Fohr Satellite Reef specially constructed for the Deutsches Museum show.
Outsider Science in the Washington Post
In the Washington Post, IFF director Margaret Wertheim has an essay on outsider physics, inspired by Ren Weschler’s enchanting new bookWaves Passing in the Night about Walter Murch, the legendary Hollywood film-and-sound editor who has his own cosmological theory. Here she draws parallels with outsider art.
Wertheim coined the term “outsider science” in her 2011 bookPhysics on the Fringe, a sociological study of the mavericks who invent alternative theories of the universe in their backyards and basements. In 2012, she curated an exhibition about this work at the IFF’s former exhibition-space in Los Angeles, celebrating the theories of her book’s hero James Carter, the Hieronymus Bosch of the field. At the IFF we salute Jim and his magical vision of the world.
Details of the Periodic Table, as described by James Carter’s theory of “Circlon Synchronicity.”
Great Barrier Reef has lost half its cover
“Climate change is not a future threat. On the Great Barrier Reef, it’s been happening for 18 years.” – Terry Hughes, coral biologist, James Cook University.
This devastating New York Times article chronicles the latest bleaching on the Great Barrier Reef, with 2016 the worst ever recorded and 2017 looking to be yet another epic scorcher.
“We didn’t expect to see this level of destruction to the Great Barrier Reef for another 30 years,” said Terry P. Hughes, director of a government-funded center for coral reef studies at James Cook University in Australia and the lead author of a paper published today as the cover article of the journal Nature. “In the north, I saw hundreds of reefs — literally two-thirds of the reefs were dying and are now dead.”
The IFF’s Crochet Coral Reefs, some of which are currently on display at the UC Santa Cruz Sesnon Gallery, are an elegiac artistic response to this crisis. When Margaret and Christine Wertheim started the project they joked that if the GBR ever died out, their crochet reef would be something to remember it by. A decade later the unthinkable has become a pending possibility.
Citizens of Santa Cruz are currently crocheting a reef as the latest addition to the IFF’s worldwide wooly archipelago. For information see the UCSC Institute of the Arts and Sciences. UCSC-IAS
Cold and calculating. A Dorid nudibranch (Tritoniella belli) in Antarctica. Photo by Norbert Wu/Minden/National Geographic
Sea slugs, sound waves, falcons, and electrons all enact amazingly complex pieces of mathematics. In the fibers of their being and their ongoing activities they are mathematicians-by-practice. Here in Aeon magazine, IFF director Margaret Wertheim explores the idea that math may be seen as a kind of performance akin to playing music.
Solidarity + Scientific American
“After the revolution, who’s going to pick up the garbage?” There’s one more week to go of the IFF’s exhibition Crochet Coral Reef: TOXIC SEAS at the Museum of Arts and Design, NYC, (on until Jan 22, 2017). Also ending soon is the major retrospective of Mierle Laderman Ukeles “maintenance art” show at the Queens Museum. Reef creators Christine and Margaret Wertheim are honored to have shared the Manhattan stage with this pioneering feminist artist. Pictured below, Coral Forest – Stheno stands in solidarity with maintenance art practitioners and working women everywhere.
And here in Scientific American Margaret muses on new ways of expanding science communication and the Crochet Coral Reef as a powerful tool for using art+craft to move beyond the fear-factor of climate change. With 2016 the third-in-a-row, hottest-year-on-record, the Crochet Reef’s constructive, community-based approach to this topic is more salient than ever.
Crochet Coral Forest – Stheno by Margaret and Christine Wertheim, at the Museum of Arts and Design, NY. Collection of Jorian Polis Schutz. Photo by Jenna Bascom, courtesy of MAD.
Paris Agreement + MAD
December 12 is the first anniversary of the Paris Agreement on climate change outlining commitments to reducing greenhouse gas emissions. In the spirit of Paris, the IFF’s exhibition Crochet Coral Reef: TOXIC SEAS continues at the Museum of Arts and Design in Manhattan. The show runs through January 22, 2017. Highlights include two bleached crochet reefs; a rare showing of The Midden (Margaret and Christine’s monumental personal-plastic-trash pile suspended in a fishing net as a commentary on our individual participation in oceanic trash); plus a site-specific, 30-foot long blackboard charting the chemistry of life and its entanglements with CO2 and plastic.
Photo credits: (Top) Crochet Coral Reef: TOXIC SEAS by Margaret and Christine Wertheim and the Institute For Figuring, at the Museum of Arts and Design, NY 2016. (Bottom) The Midden, four years worth of the Wertheim’s own domestic plastic trash suspended in a fishing net; in the background is the Chemical Blackboard with a timeline of organic chemistry and the rise of CO2. [Photos by Jenna Bascom courtesy of MAD.]
Great Barrier Reef in danger, says UNESCO
UNESCO has threatened to list the Great Barrier Reef, as a “World Heritage in Danger” unless Australia cleans up its act and works harder to save this ecological treasure. On Friday the Australian government filed a report on what it’s doing, which coral reef scientists have declared inadequate. Tragically, the government’s plan of action, outlined in its Reef 2050 Plan, is silent about global warming. Moreover the Queensland government is pushing ahead with plans to build a vast port to ship coal in the middle of the GBR and Oz is showing little sign of meeting its CO2 target emissions to ensure world temperatures don’t rise by more than 2˚C, a must if reefs are to survive. Shame on my native land!
Here you can see footage of a helicopter flyover above dozens of GBR rub-reefs devastated by massive coral bleaching this year.
Photo by Jason South.
2016 Hottest year on record + NZ Radio
Its official says the World Meteorological Organization: 2016 is the hottest year on record, with global temperatures averaging 1.2˚C warmer than the pre-industrial era. Almost everywhere was hotter this year, but the burn wasn’t evenly distributed: the Russian Arctic was an alarming 6˚- 7˚C degrees hotter. Bad news for polar bears. Ocean temperatures are also at an all-time high, causing vast bleaching events across the Great Barrier Reef. Here’s an article in The Conversation on 2016’s relentless rise of global warming.
Also from this week, an interview on Radio New Zealand’s Nights program with IFF Director Margaret Wertheim discussing the Crochet Coral Reef project and its marriage of science and art as a method for engaging audiences about climate change in ways that are powerful, positive and constructive.
Crochet Coral Reef: TOXIC SEAS opens at MAD, NYC
Tonight is the opening party for our new exhibition Crochet Coral Reef: TOXIC SEAS by Margaret and Christine Wertheim and the Institute For Figuring, at the Museum of Arts and Design in NYC. The show is a stunning triumph of handicraft, plastic trash and feminism. More news and gorgeous photos coming soon.
IFF wins the AxS Award for art and science
On September 21, 2016, the Institute For Figuring was awarded the annual art and science, AxS Award by the Pasadena Arts Council. Margaret and Christine Wertheim were delighted to accept this honor, which has previously been granted to such luminaries as JPL’s artist-in-residence Dan Goods, land-artist Lita Albequeque, and Lorne Buchman president of Art Center College of Design.