“To
the paper folder, the square is the origin of all form. Where others
see only the void – dull, blank, meaningless – the folder
sees a world already overflowing with possibilities.”
Peter Engel, Origami: From Angelfish to Zen
Traditional origami models, painstakingly developed by hand, have
mostly been simple structures – stylistic sketches of animals
and flowers, and pretty decorative boxes. Until very recently, origami
was essentially a closed universe consisting of just a few hundred
tried and true designs. Students learned from masters by watching
first hand, while diagrams were rare, and closely guarded secrets.
In the past twenty years, however, the ancient art of paper folding
has been transformed by new ideas and techniques infused from the
fields of mathematics, computer science, information theory and
physics. This new “technical folding,” also known as
origami sekkei, vastly expands the traditional repertoire, enabling
construction of immensely complex forms that could not have been
achieved by the old methods. In line with the practical evolution
of ever more intricate forms, these new approaches have also given
rise to a new breed of “computational origami” theorists
who bring to bear on the blank sheet a raft of formal techniques,
analyzing the potentialities inherent in this infinitely fecund
form. |